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From the score to the stage: an illustrated history of Continental opera production and staging
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Cited by

  • 2020Carmen Abroad42 cited
  • 2020The Return of theHabanera:Carmen’sEarly Reception in Latin America30 cited
  • 2019Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand25 cited
  • 2015Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France24 cited
  • 2021Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence18 cited
  • 2020Carmenin the Midi Amphitheatres: A ‘Tauro-Comique’ Spectacle17 cited
  • 2020Carmenat Home and Abroad17 cited
  • 2019Screen Genealogies11 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2015Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film7 cited
  • 2019Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris6 cited
  • 2015Historically Informed Performance6 cited
  • 2020Invisible hands in the history of the magic lantern: where theatre studies and media archaeology meet6 cited
  • 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited
  • 2020

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Carmen’s Second Chance: Revival in Vienna
2 cited