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Cited by

• 2012Heresy Trials and English Women Writers, 1400–167038 cited
• 2013“Joy’s Sports”: The Unexpurgated Text of Mary Wroth’s Pamphilia to Amphilanthus25 cited
• 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
• 2022Untimely Developments14 cited
• 2003"Ears Prejudicate" in Mariam and Duchess of Malfi12 cited
• 2022Receiving Early Modern Women’s Drama9 cited
• 2022Early Modern Women, Race, and Writing Revisited9 cited
• 2007What More Could Woman Do?: Dramatizing Consent in Heywood'sRape of Lucreceand Middleton'sWomen Beware Women7 cited
• 2022Lyric Backwardness6 cited
• 2009Female Bodies, Speech, and Silence in The Witch of Edmonton6 cited
• 2007Female Characters on the Jacobean Stage Defying Type: When is a Shrew Not a Shrew?4 cited
• 2022How Lady Jane Grey May Have Used her Education3 cited
• 2007Feminist criticism in the Renaissance and seventeenth century3 cited
• 2012Feminine Virtue’s Network of Influence in Early Modern England3 cited
• 2018“Tell thou my lord thou saw’st me lose my breath”: Silence, speech, and authorial identity in Cary’sThe Tragedy of Mariam