SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Chinese Films in Focus: 25 New Takes
0 references·7 citing·26 second hop
Chinese Films in Focus: 25 New Takes (2003)Chinese Films in Focus: 25 New TakesTrans on Screen (2012)Trans on ScreenShakespeare and World Cinema (2012)Shakespeare and World CinemaTraditional Chinese Aesthetics and Contemporary Chinese Films: Applying the Idea of Qi-yun to Understand the Temporal Structure of Selected Films of Hou Hsiao-hsien (2011)Traditional Chinese Aesthetic…Chinese Operas on Stage and Screen: A Short Introduction (2010)Chinese Operas on Stage and S…When is a foreign‐language film not a foreign‐language film? When it has too much English in it: The case of a Singapore film and the Oscars1 (2008)When is a foreign‐language fi…Capturing China in Globalization: The Dialectic of Autonomy and Dependency in Zhang Yimou's Cinema (2007)Capturing China in Globalizat…Filming the anti-Japanese war: the devils and buffoons of Jiang Wen’s Guizi Laile (2004)Filming the anti-Japanese war…Postmodernism, or, The cultural logic of late capitalism (1991)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Development as Freedom (2009)Screening China (2001)Zhang Yimou : interviews (2001)Modern Chinese Literature (2016)English as a Global Language (2003)The Cultural Politics of English as an International Language (2014)Desiring the Singapore story: affective attachments and national identities in Anthony Chen's Ilo Ilo (2015)3. English as a Global Language (2016)Chinese cinema: culture and politics since 1949 (1989)China on screen: cinema and nation (2006)Acting the Right Part (2017)Lychees and Mirrors: Local Opera, Cinema, and Diaspora in the Chinese Cultural Cold War (2018)Translating Culture-Bound Elements: A Case Study of Traditional Chinese Theatre in the Socio-Cultural Context of Hong Kong (2021)Virtual Reality Technology for the Digital Dissemination of Traditional Chinese Opera Culture (2024)CHAPTER SIX Transcultural Spaces Toward a Poetics of Chinese Film (2005)No Man an Island (2009)No Man an Island: The Cinema of Hou Hsiao-hsien (2009)Second Skins: The Body Narratives of Transsexuality (1998)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2006)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The consequences of modernity (1990)Global Shakespeares as Methodology (2013)Shakespeare on Film (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Shakespeare and World Cinema38 cited
  • 2010Chinese Operas on Stage and Screen: A Short Introduction18 cited
  • 2012Trans on Screen11 cited
  • 2008When is a foreign‐language film not a foreign‐language film? When it has too much English in it: The case of a Singapore film and the Oscars16 cited
  • 2004Filming the anti-Japanese war: the devils and buffoons of Jiang Wen’s Guizi Laile6 cited
  • 2007Capturing China in Globalization: The Dialectic of Autonomy and Dependency in Zhang Yimou's Cinema5 cited
  • 2011Traditional Chinese Aesthetics and Contemporary Chinese Films: Applying the Idea of Qi-yun to Understand the Temporal Structure of Selected Films of Hou Hsiao-hsien4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work