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Cited by

• 2013Contours through Covers: Voice and Affect in the Music of Lucas Silveira30 cited
• 2014Salsa Crossings: Dancing Latinidad in Los Angeles25 cited
• 2017Intimacy at stake: Transnational migration and the separation of family19 cited
• 2015Traumatic Utopias: Holding Hope in Bridgforth’slove conjure/blues17 cited
• 2015“Who's the Crack Whore at the End?” Performance, Violence, and Sonic Borderlands in the Music of Yva las Vegass16 cited
• 2015Entre las aguas /Between the Waters: Interorality in Afro-Cuban Religious Storytelling16 cited
• 2018The Cambridge History of Latina/o American Literature12 cited
• 2017Walk like a woman, talk like a man: Ivy Queen’s troubling of gender11 cited
• 2026Kinesthetic Peoplehood11 cited
• 2015Fania Records and its Nuyorican Imaginary: Representing Salsa as Commodity and Cultural Sign inOur Latin Thing10 cited
• 2015El Caribe on the Horizon: José Esteban Muñoz and the Commitment to Futurity10 cited
• 2025Theorizing the palimpsest as a tool of critical spatial inquiry for unruly Latinidades10 cited
• 2017Sonic cultural citizenship through performance: CASA 0101’s production of Josefina López’sDetained in the Desert7 cited
• 2024The Night is Still Young: A Cross-Disciplinary Forum on Queer Nightlife Studies