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Understanding the arts and creative sector in the United States
5 references·13 citing·45 second hop
Understanding the arts and creative sector in the United States (2009)Understanding the arts and creative secto…The Wealth of Networks (2017)The Wealth of NetworksThe Creative City (2012)The Creative CityCultural Vitality in Communities: Interpretation and Indicators (2006)Cultural Vitality in Communit…The Rise of the Creative Class (2002)The Rise of the Creative ClassBowling Alone: The Collapse And Revival Of American Community (2000)Bowling Alone: The Collapse A…Kontemplasi Musik Tradisi di IKN Kalimantan Timur dalam Kontinuitas dan Perubahan (2022)Kontemplasi Musik Tradisi di …Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative (2022)Institutional entrepreneurshi…Funding bodies (2021)Funding bodiesCreative city strategies on the municipal agenda in New York (2018)Creative city strategies on t…Re-envisioning community spaces in Corona, Queens, New York City (2017)Re-envisioning community spac…Means and Ends: A Theory Framework for Understanding Entrepreneurship in the US Arts and Culture Sector (2015)Means and Ends: A Theory Fram…Mapping the arts: industry concentrations, distribution, and change in the US, 1980–2010 (2014)Mapping the arts: industry co…Barriers to Recognizing Arts Entrepreneurship Education as Essential to Professional Arts Training (2013)Barriers to Recognizing Arts …Assessing a place in cultural planning: A framework for American local governments (2013)Assessing a place in cultural…Doing Without the Ideology of Art (2011)Doing Without the Ideology of…Analyzing the “creative city” governance: Relational processes in Columbus, Ohio (2011)Analyzing the “creative city”…Promoting Artistic and Cultural Development Through Service Learning and Critical Pedagogy in a Low-Income Community Art Program (2010)Promoting Artistic and Cultur…Cultural Arts: An Ideal Model of Creative Capital-Based Approaches to Cultural Arts Planning (2009)Cultural Arts: An Ideal Model…Gifts and Exchanges (1982)Governing the Commons: The Evolution of Institutions for Collective Action (1992)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)The politics of ‘platforms’ (2010)Big other: Surveillance Capitalism and the Prospects of an Information Civilization (2015)Filter Bubbles, Echo Chambers, and Online News Consumption (2016)The New Institutionalism in Organizational Analysis. (1993)Political Science and the Three New Institutionalisms (1996)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Collaborative Local Cultural Governance (2015)Do “creative” and “non-creative” workers exhibit similar preferences for urban amenities? 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(2005)Struggling with the Creative Class (2005)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)Cultural mapping and sustainable communities: planning for the arts revisited (2008)Theory-based evaluation and the social impact of the arts (2009)New trajectories in urban regeneration processes: Cultural capital as source of human and social capital accumulation – Evidence from the case of Tohu in Montreal (2012)Creative Cities: Conceptual Issues and Policy Questions (2006)From resilience to resourcefulness (2012)The geographies of community disaster resilience (2014)Atheists As “Other”: Moral Boundaries and Cultural Membership in American Society (2006)Television and Voter Turnout* (2006)Field research in conflict environments: Methodological challenges and snowball sampling (2011)
this work references cited by second hop

References

  • 2002The Rise of the Creative Class4,527 cited
  • 2017The Wealth of Networks3,683 cited
  • 2012The Creative City1,516 cited
  • 2000Bowling Alone: The Collapse And Revival Of American Community1,115 cited
  • 2006Cultural Vitality in Communities: Interpretation and Indicators111 cited

Cited by

  • 2013Barriers to Recognizing Arts Entrepreneurship Education as Essential to Professional Arts Training34 cited
  • 2011Analyzing the “creative city” governance: Relational processes in Columbus, Ohio22 cited
  • 2014Mapping the arts: industry concentrations, distribution, and change in the US, 1980–201020 cited
  • 2018Creative city strategies on the municipal agenda in New York20 cited
  • 2021Funding bodies19 cited
  • 2010Promoting Artistic and Cultural Development Through Service Learning and Critical Pedagogy in a Low-Income Community Art Program18 cited
  • 2013Assessing a place in cultural planning: A framework for American local governments16 cited
  • 2015Means and Ends: A Theory Framework for Understanding Entrepreneurship in the US Arts and Culture Sector14 cited
  • 2017Re-envisioning community spaces in Corona, Queens, New York City5 cited
  • 2022Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative

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5 cited
  • 2011Doing Without the Ideology of Art5 cited
  • 2009Cultural Arts: An Ideal Model of Creative Capital-Based Approaches to Cultural Arts Planning4 cited
  • 2022Kontemplasi Musik Tradisi di IKN Kalimantan Timur dalam Kontinuitas dan Perubahan3 cited