The Scorsese connection

Lesley Stern

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Cinema History and Criticism Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

This text explores two aspects of Scorsese's films: the way he remakes other movies (for example, Raging Bull replays The Red Shoes and Taxi Driver mirrors The Searchers) and the way in which we absorb and make sense of the films. Contrary to the emphasis on scopic regime in contemporary film theory, Stern puts stress on other senses, especially touch.

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2010Geographies of Desire: Postsocial Urban Space and Historical Revision in the Films of Martin Scorsese 2013Hollywood's New Yorker: The Making of Martin Scorsese 2008Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych

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