Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond

Antony Eastmond

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Byzantine Studies and History Medieval European History and Architecture Historical and Religious Studies of Rome

Abstract

Contents: Preface Introduction: the Byzantine empires in the 13th century Hagia Sophia and its contexts Architecture and the construction of identity Trebizond as imperial capital: ceremonial and processions Adam, exile and 'Byzantine' culture Ornamental sculpture and cultural orientation: Trebizond, the Seljuqs, and the Caucasus Wall paintings and politics: rebuilding empire? Art, the liturgy and modernity Manuel I Grand Komnenos: the embodiment of empire Conclusion Appendix of rulers Bibliography Index.

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