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Cited by

• 2019The Performative Power of Vocality80 cited
• 2016Defining Pantomime for Language Evolution Research72 cited
• 2012Collecting Data Through Performative Inquiry: A Tug on the Sleeve63 cited
• 2003The Paper Canoe46 cited
• 2017Marginalidad y vanguardia en la posguerra: los inicios del teatro crítico en Chile (1883-1913)35 cited
• 1997Physical Images in the South African Theatre35 cited
• 2005Devising Utopia, or Asking for the Moon35 cited
• 2011From Scenarios to Networks: Performing the Intercultural in Colonial Mexico32 cited
• 2005When the Landscape becomes Flesh: An Investigation into Body Boundaries with Special Reference to Tiwi Dance and Western Classical Ballet27 cited
• 2005Performative Uses of Space in Mixed Media Environments21 cited
• 2005Manifestations of Play as Aesthetic in African Theatre for Development19 cited
• 2012Three arguments against ‘soft innovation’: towards a richer understanding of cultural innovation18 cited
• 2022Conducting Embodied Research at the Intersection of Performance Studies, Experimental Ethnography and Indigenous Methodologies18 cited
• 2006Performative Somaesthetics: Principles and Scope15 cited