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Cultural Capital: The Rise and Fall of Creative Britain
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  • 2018‘Don't forget to like, share and subscribe’: Digital autopreneurs in a neoliberal world70 cited
  • 2016Media literacy: the UK’s undead cultural policy50 cited
  • 2015The labour market for jazz musicians in Paris and London: Formal regulation and informal norms45 cited
  • 2017Autonomy and resilience in cultural work: looking beyond the ‘creative industries’33 cited
  • 2016Participation and provision in arts & culture – bridging the divide28 cited
  • 2016Regulating the global infrastructure of film labor exploitation25 cited
  • 2017This is My Life: The Stories of Independent Workers in the Creative Industries in the Netherlands25 cited
  • 2017The continuing saga around arts funding and the cultural wars in Australia18 cited
  • 2015Measuring quality in the cultural sector: the Manchester Metrics pilot: findings and lessons learned10 cited
  • 2014The national trust for talent? NESTA and New Labour’s cultural policy10 cited
  • 2016All that we are – heritage inside out and upside down9 cited
  • 2019Valuing Cultural Participation: The Usefulness of the Eighteenth-Century Stage7 cited
  • 2021Inventing the New Art World: On Art Institutions and Their Audience6 cited
  • 2019Changing tides of industrial democracy: Red Clydeside and the UCS work-in as political heritage

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6 cited
  • 2019Cultural Ecologies: Policy, Participation and Practices5 cited
  • 2017From Social Inclusion to Audience Numbers: Art Museums in the New Public Management4 cited