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Reflections on the imitation of Greek works in painting and sculpture
0 references·8 citing·27 second hop
Reflections on the imitation of Greek works in painting and sculpture (1987)Reflections on the imitation of Greek wor…Curating the Profane: Johann Joachim Winckelmann, Neoclassical Art Historian and First Curator of a Public Profane Museum (2022)Curating the Profane: Johann …The New Cambridge Companion to Nietzsche (2019)The New Cambridge Companion t…Nietzsche and Wagner (2019)Nietzsche and WagnerNeoclassicism and Camp in Sir William Hamilton’s Naples (2019)Neoclassicism and Camp in Sir…Kant and his German Contemporaries (2018)Kant and his German Contempor…Farewell to the Classical: Excavations in Modernism (2004)Farewell to the Classical: Ex…The Future of Nostalgia in Friedrich Schlegel’s Gender Theory: Casting German Aesthetics Beyond Ancient Greece and Modern Europe (1997)The Future of Nostalgia in Fr…The Imaginary Museum of Musical Works (1994)The Imaginary Museum of Music…A History of Archaeological Thought. By Bruce G. Trigger. (1992)The Intellectuals and The Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880 - 1939 (1992)The Work of Art in the Age of Mechanical Reproduction (2007)Ships Stranded in the Forest (2011)Processions, Propaganda, and Pixels: Reconstructing the Sacred Way Between Miletos and Didyma (2017)Fragmentary Modernism (2023)Philosophy in the Tragic Age of the Greeks (1962)Die imaginierte Weiblichkeit : exemplarische Untersuchungen zu kulturgeschichtlichen und literarischen Präsentationsformen des Weiblichen (1970)The Man of Reason (2002)Representing and Intervening (1983)Metaphors We Live By (2003)Dialectic of Enlightenment (2020)Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall (1996)Guilty Pleasures: Feminist Camp from Mae West to Madonna. (1997)Camp: Queer Aesthetics and the Performing Subject: A Reader (1999)Sources of the self: the making of the modern identity (1990)Likeness and presence: a history of the image before the era of art (1994)The Birth of the Museum: History, Theory, Politics (1996)Philosophy and the Human Sciences (1985)The Struggle for Recognition. The Moral Grammar of Social Conflicts (1997)Redistribution or Recognition?: A Political-Philosophical Exchange (2003)Poetry, Language, Thought (1972)Toward an Aesthetic of Reception. (1982)Noise: The Political Economy of Music (1986)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)
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  • 1994The Imaginary Museum of Musical Works162 cited
  • 2018Kant and his German Contemporaries43 cited
  • 2004Farewell to the Classical: Excavations in Modernism37 cited
  • 2019The New Cambridge Companion to Nietzsche32 cited
  • 1997The Future of Nostalgia in Friedrich Schlegel’s Gender Theory: Casting German Aesthetics Beyond Ancient Greece and Modern Europe26 cited
  • 2019Nietzsche and Wagner21 cited
  • 2019Neoclassicism and Camp in Sir William Hamilton’s Naples1 cited
  • 2022Curating the Profane: Johann Joachim Winckelmann, Neoclassical Art Historian and First Curator of a Public Profane Museum1 cited

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