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Musical MeaningToward a Critical History
0 references·16 citing·55 second hop
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  • 2013Action and Agency Revisited235 cited
  • 2019Enacting Musical Time68 cited
  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2016Schumann's Music and E. T. A. Hoffmann's Fiction67 cited
  • 2008A performer's creative processes: implications for teaching and learning musical interpretation55 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
  • 2004Darmstadt as Other: British and American Responses to Musical Modernism51 cited
  • 2013The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture37 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
  • 2024The Experience of Translation26 cited
  • 2006Interdisciplinary Opera Studies23 cited
  • 2014The Intrinsic Value of Musical Experience. A Rethinking: Why and How?20 cited
  • 2013Transposing Music: An Intermedial Perspective on German Modernist Poetry20 cited
  • 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign

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18 cited
  • 2012The Accessibility of Music: Participation, Reception, and Contact17 cited