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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2017The Textility of Marking: Performers’ Annotations as Indicators of the Creative Process in Performance14 cited
• 2012The performer and the composer10 cited
• 2010Cello map: a handbook of Cello technique for performers and composers8 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 1988Sources of Information on Woodwind Multiphonics: An Annotated Bibliography5 cited
• 2001Toward a pedagogy of extended techniques for horn derived from Vincent Persichetti's Parable for solo horn, opus 1204 cited
• 2012Vocal performance in the Renaissance3 cited
• 2012The teaching of performance2 cited
• 2012Performance in the Renaissance: an overview2 cited
• 2012Vocal performance in the twentieth century and beyond