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AcknowledgmentsIntroduction: The Social Ontology of PhotographyPart I. The Document, the Figural, and the Index1. Photography and Its Truth-Event2. The Political Form of Photography Today3. Fragment, Experiment, Dissonant Prologue: Modernism, Realism, and the Photodocument4. Two Models of Labor: Figurality and Nonfigurality in Recent PhotographyPart II. Abstraction, Violation, and Empathy5. Photography After the Photograph: Event, Archive, and the Nonsymbolic6. Photography, Abstraction, and the Social Production of Space7. Violence, Photography, and the InhumanConclusionNotesBibliographyIndex
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