Glorify the empire: Japanese avant-garde propaganda in Manchukuo

Abstract

Introduction: Propaganda in the Manchukuo Context, 1932-45 1 Laying the Groundwork for the Japanese Avant-Garde Propagandists 2 Literature in Service of the State: Yamada Seizaburo and Right-Wing Proletarianism, 1931-43 3 Surrealism in Service of the State: Fukuzawa Ichiro and Associates, 1935-36 4 The Lure of Artistic Vision and Commercial Prerogative: Ai Mitsu and the Burden of Representation, 1935 and 1943 5 Reflections of Labour and the Construction of the New State: Fuchikami Hakuyo and Manchuria Graph, 1933-41 6 The Manchukuo Publicity and News Bureau's War of Words and Images: Muto Tomio and the Discourse of Culture, 1938-43 7 The Legitimization of a Multi-Ethnic Literary Culture in Manchukuo: Kawabata Yasunari's Promotion of Manchurian Literature, 1941-44 Conclusion: The Reflected Utopia Darkens: Manchukuo, Imperial Japan's Surrender, and Postwar Issues Notes Bibliography Index

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