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Cited by

• 2012Creativity and its Discontents70 cited
• 2012Creativity and its discontents: China's creative industries and intellectual property rights offenses38 cited
• 2010Photography at Tiananmen: Pictorial Frames, Spatial Borders, and Ideological Matrixes23 cited
• 2015Migrant workers and the imaging of human infrastructure in Chinese contemporary art11 cited
• 2019Visual arts, representations and interventions in contemporary China: urbanized interface9 cited
• 2020Manhua Modernity: Chinese Culture and the Pictorial Turn8 cited
• 2012Civilising the Citizens: Political Slogans and the Right to the City7 cited
• 2013Jia Zhangke's neoliberal China: the commodification and dissipation of the proletarian inThe World(Shijie, 2004)6 cited
• 2018Selling (un)real estate with “ Shi (势)-nema”: manipulation, not persuasion, in China’s contemporary cinematic-cities5 cited
• 2017The Politics of Aesthetics in Tianjin Between Past and Present5 cited
• 2017In Search of an Alternative Feminist Cinema: Gender, Crisis, and the Cultural Discourse of Nation Building in Chinese Independent Films4 cited
• 2015The Worlding of St. Petersburg and Shanghai: Comparing Cultures of Communication in Two Cities Before and After Revolutions3 cited
• 2021Shi-nematic afterimages: semiocapitalism and Chinese cine-cities