Cinepaternity: fathers and sons in Soviet and post-Soviet film

Abstract

Contents Preface Introduction: Cinepaternity: The Psyche and Its Heritage Part 1. Thaw, Stagnation, Perestroika 1. The Myth of the Great in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev / Alexander Prokhorov 2. Mending the Rupture: The War Trope and the Return of the Imperial Father in 1970s Cinema / Elena Prokhorova 3. Models of Male Kinship in Perestroika Cinema / Seth Graham Part 2. War in the Post-Soviet Dialogue with Paternity 4. The Fathers' War through the Sons' Lens / Tatiana Smorodinskaya 5. War as the Family Value: Failing Fathers and Monstrous Sons in My Stepbrother Frankenstein / Mark Lipovetsky 6. A Surplus of Surrogates: Mashkov's Fathers / Helena Goscilo Part 3. Reconceiving Filial Bonds 7. Resurrected Fathers and Resuscitated Sons: Homosocial Fantasies in The Return and Koktebel / Yana Hashamova 8. The Forces of Kinship: Timur Bekmambetov's Night Watch Cinematic Trilogy / Vlad Strukov 9. Fathers, Sons, and Brothers: Redeeming Patriarchal Authority in The Brigade / Brian James Baer Part 4. Auteurs and the Psychological/Philosophical 10. Fraught Filiation: Andrei Tarkovsky's Transformations of Personal Trauma / Helena Goscilo 11. Vision and Blindness in Sokurov's Father and Son / Jose Alaniz Contributors Index

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