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Cited by

• 2010Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing92 cited
• 2014Fantasies of Conversion: The Sensational Jewess in Poe and Hawthorne's America42 cited
• 2014Tell-Tale Rhythms: Embodiment and Narrative Discourse34 cited
• 2015Time, Tense, and American Literature: When Is Now?31 cited
• 2008Race, American literature and transnational modernisms22 cited
• 2016Trauma and the Uncanny in Edgar Allan Poe's “Ligeia” and “The Fall of the House of Usher”16 cited
• 2015Edgar Allan Poe14 cited
• 2012Observation, Inference, and Imagination: Elements of Edgar Allan Poe’s Philosophy of Science11 cited
• 2005Pregnant Women and Envious Men in “Morella,”“Berenice,”“Ligeia,” and “The Fall of the House of Usher”8 cited
• 2002Poe, the Daguerreotype, and the Autobiographical Act7 cited
• 2015“Never Bet the Devil Your Head”: Fuseli's The Nightmare and Collapsing Masculinity in Poe's “The Black Cat”6 cited
• 2009Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: towards a model of Intertextuality6 cited
• 2018Poe and the Art of Painting: Tales to Be Seen—the First Spanish Illustrated Edition6 cited