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Contents: Introduction: heterotopia and romantic border crossings, Jeffrey Cass. Part I British Border Crossings: Gateway to Heterotopia: elsewhere on stage, Frederick Burwick To be or not to be: the bounded body and embodied boundary in Inchbald's A Simple Story, Valerie Henitiuk Byron under the black flag, Talissa Ford. Part II Comparative Border Crossings: Crossing boundaries in Nerval's Voyage en Orient, Hugo AzA(c)rad Transgressions of gender and generation in the families of Goethe's Meister, Ingrid Broszeit-Rieger Transcending borders: loss and mourning in Gottfried August BA rger's Leonore, Gabriele Dillmann. Part III Historical Border Crossings, Crossing from 'Jacobin' to 'anti-Jacobin': rethinking the terms of English Jacobinism, Miriam L. Wallace Rhyming reason: the poetry of early psychiatrists, 1790a 1830, Michelle Faubert Genre crossings: gothic novels and the borders of history, Bronwyn Rivers. Part IV Pedagogical Border Crossings: Teaching orientalism through British romantic drama: representations of Arabia, Marjean D. Purinton Crossing the borders of genre in romantics scholarship and the classroom, Stephen Berendt Learning from excess: Emily Dickinson and Bettina von Arnim's Die GA nderode, Kari Lokke. Part V American and Transatlantic Border Crossings: A uniform hieroglyphic: crossing race and ethnicity in Whitman's Leaves of Grass (1855), Jeanne Cortiel Manifest empire: Anglo-American rivalry and the shaping of US manifest destiny, Sohui Lee Ample make this bed: Dickinson's Dying in Drama and Arnim's Liebestod, Lilach Lachman Works cited Index.
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