SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Life of the Senses : Introduction to a Modal Anthropology
0 references·16 citing·40 second hop
The Life of the Senses : Introduction to a Modal Anthropology (2015)The Life of the Senses : Introduction to …Embodied experiences in motion: integrating the senses in research and teaching (2025)Embodied experiences in motio…Sensescapes in multilingual environments (2024)Sensescapes in multilingual e…Tensional Responsiveness (2021)Tensional ResponsivenessSensuous entanglements: a critique of cockfighting conceived as a “cultural text” (2021)Sensuous entanglements: a cri…Art and the Senses for Ocean Conservation (2021)Art and the Senses for Ocean …Afterword (2021)Afterword“Saudades da festa!”: Triggering sensory memories of DIY electronic music through multimodal practices (2021)“Saudades da festa!”: Trigger…Fascias: Methodological Propositions and Ontologies That Stretch and Slide (2020)Fascias: Methodological Propo…A touch of luck and a “real taste of Vegas”: a sensory ethnography of the Montreal Casino (2020)A touch of luck and a “real t…Multisensory Anthropology (2019)Multisensory AnthropologyIntroduction: Skilled mediations (2019)Introduction: Skilled mediati…Women, makeup, and authenticity: Negotiating embodiment and discourses of beauty (2017)Women, makeup, and authentici…Stomping on the Ground: Dancing Flamenco through Tokyo's Soundscape (2017)Stomping on the Ground: Danci…Women's bodies, menstruation and marketing “protection:” interpreting a paradox of gendered discourses in consumer practices and advertising campaigns (2016)Women's bodies, menstruation …Postrevolutionary land encroachments in Cairo: Rhizomatic urban space making and the line of flight from illegality (2016)Postrevolutionary land encroa…Intellectual Property, Piracy, and Counterfeiting (2016)Intellectual Property, Piracy…Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Reassembling the Social (2005)Patriarchal marketing and the symbolic annihilation of women (2020)Queering Menstruation: Trans and Non‐Binary Identity and Body Politics (2020)Say no to shame, waste, inequality—and leaks! Menstrual activism in the market for alternative period products (2021)The Interpretation of Cultures (1974)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Presentation of Self in Everyday Life. (1956)The Sociology of Consumption (2019)Paint a Better Mood? Effects of Makeup Use on YouTube Beauty Influencers’ Self-Esteem (2020)The Presentation of Self in Everyday Life (2023)The road to learning “who am I” is digitized: A study on consumer self‐discovery through augmented reality tools (2023)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Planet of Slums (2006)Provincializing urban appropriation: Agonistic transgression as a mode of actually existing appropriation in South African cities (2017)THE PRACTICE OF EVERYDAY LIFE (2018)Introduction : les zabbâlîn, un objet sur-étudié ? (2019)Property, Institutions, and Social Stratification in Africa (2020)Situated Learning (1991)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)COVID, clay, and the digital: The role of digital media in pottery skill development during the COVID-19 pandemic in Britain (2023)Sensing insecurity as skill: Urban violence and the politics of sensorial enskilment (2024)Distinction: A Social Critique of the Judgement of Taste. (1985)Simulacra and Simulation (1995)Distinction: A Social Critique of the Judgement of Taste* (2018)Strange Encounters: Embodied Others in Post-Coloniality (2000)Empire of the senses : the sensual culture reader (2005)How do you feel — now? The anterior insula and human awareness (2008)Writing Culture: The Poetics and Politics of Ethnography (1986)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)Vibrant Matter: A Political Ecology of Things (2010)Mimesis and alterity: a particular history of the senses (1993)Sensuous Scholarship (1997)The Perception of the Environment (2002)Sensual Urbanism: Hyper-Sexual City? or Inclusive Urban Design Approach (2025)Understanding Media: The Extensions of Man (1964)In defense of materiality: Attending to the sensori-social life of things (2022)Life Itself: An Essay on the Sensory and the (Potential) End of Heritage Making (2022)The misperception of the environment: A critical evaluation of the work of Tim Ingold and an alternative guide to the use of the senses in anthropological theory (2022)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2019Multisensory Anthropology160 cited
  • 2017Women, makeup, and authenticity: Negotiating embodiment and discourses of beauty63 cited
  • 2016Women's bodies, menstruation and marketing “protection:” interpreting a paradox of gendered discourses in consumer practices and advertising campaigns53 cited
  • 2016Postrevolutionary land encroachments in Cairo: Rhizomatic urban space making and the line of flight from illegality30 cited
  • 2021Afterword19 cited
  • 2019Introduction: Skilled mediations19 cited
  • 2021Art and the Senses for Ocean Conservation16 cited
  • 2020A touch of luck and a “real taste of Vegas”: a sensory ethnography of the Montreal Casino12 cited
  • 2020Fascias: Methodological Propositions and Ontologies That Stretch and Slide11 cited
  • 2016Intellectual Property, Piracy, and Counterfeiting9 cited
  • 2021Tensional Responsiveness5 cited
  • 2017Stomping on the Ground: Dancing Flamenco through Tokyo's Soundscape5 cited
  • 2021Sensuous entanglements: a critique of cockfighting conceived as a “cultural text”5 cited
  • 2025Embodied experiences in motion: integrating the senses in research and teaching3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2024
Sensescapes in multilingual environments
3 cited
  • 2021“Saudades da festa!”: Triggering sensory memories of DIY electronic music through multimodal practices3 cited