City/Stage/Globe: Performance and Space in Shakespeare's London

D. J. Hopkins

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

This interdisciplinary study theorizes the interaction of individual performance and social space. Examining three categories of space - the urban, the theatrical, and the cartographic - this volume considers the role of performance in the production and operation of these spaces during a period in London's history defined roughly by the life of Shakespeare. City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern London.

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2011Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama 2014The Cambridge introduction to theatre directing 2013Shakespeare and the ‘Spatial Turn’2014The Cambridge Introduction to Early Modern Drama, 1576–1642

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