Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture

Abstract

Acknowledgements Introduction Chapter 1: The Sonic Hearth and the Plague Chapter 2: Four-Hand Piano Playing between Parlor Music and the Culture Industry Chapter 3: At Best an Intruder, at Worst a Voyeur: Four-Hand Piano Playing and the Family Unit Chapter 4: Four-Handed Monsters Chapter 5: The Semantics of the Hand Chapter 6: Fordist Chords Chapter 7: Musical Platonism: Four-Hand Playing Among the Philosophers Chapter 8: Kakanian Variations-Four Hands and the Passing of the Nineteenth Century Index

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 14 citations exist upstream.