Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity

Abstract

Table of Contents: Roll Credits: Editors' Introduction Introduction: Impressions of Hume Approaching Hume On Beholding Chapter One: Film Matters: Cinematic Thinking and the Politics of Discontinuity The Action-Image Discontinuity and the Fact of the Series Actors, Artificial Persons, and Human Somethings Political Resistance and an Aesthetics of Politics Chapter Two: A Treatment of Human Parts On the Close-Up Empiricism and Typographic Culture Hume's Train of Thinking Of Human Parts Discomposing One's Character Conclusion: A Micropolitics of Impressions Chapter Three: Hume's Iconomy An Excess of Images Fluid Supports Conclusion Chapter Four: Hume's Point of View: Or, the Screen Single-Point Perspective and the General Point of View Impartiality, Sympathy, Reputation from a Cinematic Point of View The Imagination and Hume's train of thinking The im of Impartiality The Hold of Sympathy Reputation, Promising, and Projection Conclusion: Sympathy's Claim Conclusion: Hume and Cultural Politics Bibliography: Endnotes:

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