Anne Clifford and Lucy Hutchinson

Abstract

Contents: Introduction Bibliography Chronology Part I Anne Clifford: Anne Clifford as Orlando: Virginia Woolf's feminist historiology and women's biography, Nicky Hallett Re-writing patriarchy and patronage: Margaret Clifford, Anne Clifford, and Aemilia Lanyer, Barbara K. Lewalski The agency of the split subject: Lady Anne Clifford and the uses of reading, Mary Ellen Lamb Anne Clifford and the gendering of history, Mihoko Suzuki Constructing an identity in prose, plaster, and paint: Lady Anne Clifford as writer and patron of the arts, Alice T. Friedman The great picture of Lady Anne Clifford, Graham Parry Marginal maternity: reading Lady Anne Clifford's A Mirror for Magistrates, Stephen Orgel Early modern (aristocratic) women and textual property, Paul Salzman Knowing her place: Anne Clifford and the politics of retreat, Susan Wiseman Serial identity: history, gender and form in the diary writing of Anne Clifford, Megan Matchinske Construction sites: the architecture of Anne Clifford's diaries, Anne M. Myers. Part II Lucy Hutchinson: 'The colonel's shadow': Lucy Hutchinson, women's writing and the Civil War, N.H. Keeble Remembering a hero: Lucy Hutchinson's Memoirs of her husband, Derek Hirst 'But a copie': textual authority and gender in editions of The Life of John Hutchinson, David Norbrook Maternity, marriage, and contract: Lucy Hutchinson's response to patriarchal theory in Order and Disorder, Shannon Miller Between atoms and the spirit: Lucy Hutchinson's translation of Lucretius, Reid Barbour Lucy Hutchinson writing matter, Jonathan Goldberg Lucy Hutchinson's Elegies and the situation of the republican woman writer (with text), David Norbrook Polluted palaces: gender, sexuality, and property in Lucy Hutchinson's Elegies, Pamela Hammons 'Paper frames': Lucy Hutchinson's Elegies and the 17th-century country house poem, Elizabeth Scott-Baumann Lucy Hutchinson: a life of writing, Robert Mayer Index.

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