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Cited by

• 2008Who Is Afraid of the Chinese Modern Girl?27 cited
• 2008The Modern Girl as Heuristic Device20 cited
• 2017Writing the Old Negro in a New Century: James Weldon Johnson and the Uses ofUncle Tom’s Cabin17 cited
• 2014Ruins Amidst Ruins: Black Classicism and the Empire of Slavery16 cited
• 2016“Hard Reading”: US Empire and Black Modernist Aesthetics in Eric Walrond's Tropic Death15 cited
• 2013Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–2014 cited
• 2012The Negro Little Theatre Movement6 cited
• 2019B(l)ack home in the Middle Ages: Medievalism in Jessie Redmon Fauset’s ‘My House and a Glimpse of My Life Therein’5 cited
• 2012Slavery, performance, and the design of African American theatre5 cited
• 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins4 cited
• 2016Tuning the Black Voice: Colour-Deafness and the American Negro Theatre’s Radio Dramas4 cited
• 2011Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater4 cited