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Cited by

• 2007Bacchylides189 cited
• 2017Tragic Pleasure from Homer to Plato180 cited
• 2017Imagining the Chorus in Augustan Poetry118 cited
• 2006What Is The Pride Of Halicarnassus?89 cited
• 2013The Delian Maidens and their relevance to choral mimesis in classical drama71 cited
• 2021Choral Constructions in Greek Culture62 cited
• 2002Corinna and the Daughters of Asopus49 cited
• 2010Asopos and his Multiple Daughters: Traces of Preclassical Epic in the Aeginetan Odes of Pindar44 cited
• 2009Female Triads on Laconian Terracotta Plaques31 cited
• 2020Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works29 cited
• 2013The Landscape and Heritage of Pindar’s Olympia29 cited
• 2008Literariness and Levels of Style in Epigraphical Poetry of Late Antiquity24 cited
• 2019Ancient Theatre and Performance Culture Around the Black Sea23 cited
• 2013From “Flowery Tales” to “Heroic Rapes”: Virginal Subjectivity in the Mythological Meadow21 cited
• 2011A second look at the poetics of re-enactment in Ode 13 of Bacchylides