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Cited by

• 2010Straddling the Cultural Chasm: The Great Divide between Music Criticism and Popular Consumption53 cited
• 2015Information politics: liberation and exploitation in the digital society43 cited
• 2014Rethinking Business Models in Creative Industries41 cited
• 2016From record selling to cultural entrepreneurship: the music economy in the digital paradigm shift38 cited
• 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
• 2015The sounds of latinidad: immigrants making music and creating culture in a southern city34 cited
• 2010The myths of empowerment through information communication technologies32 cited
• 2017Generating tensions: A multilevel, process analysis of organizational change32 cited
• 2016When is a discovery? The affective dimensions of discovery in music consumption26 cited
• 2011Overcoming the Warez Paradox: Online Piracy Groups and Situational Crime Prevention24 cited
• 2014Investigating the interactions between individuals and music technologies within contemporary modes of music consumption23 cited
• 2013From Background Music to Above-the-Line Actor: The Rise of the Music Supervisor in Converging Televisual Environments22 cited
• 2011The significance of artistic criticism in the production of punk subcultural authenticity: the case study of Against Me!