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Cited by

• 2016The Cambridge Companion to the Singer-Songwriter39 cited
• 1996“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll38 cited
• 1995Motown crossover hits 1963–1966 and the creative process21 cited
• 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
• 2016Musical gesture in the songs of Nick Drake14 cited
• 2005She Told Me What to Say: The Beatles and Girl‐Group Discourse13 cited
• 1995When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song11 cited
• 1996Lennon‐McCartney and the “Middle Eight”10 cited
• 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
• 1998Images of women in popular song lyrics: A bibliography8 cited
• 2017Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland6 cited
• 2016The emergence of the singer-songwriter6 cited
• 2000Lennon-McCartney and the Early British Invasion, 1964–66 cited
• 2012Bouffants, Beehives, and Breaking Gender Norms: Rethinking “Girl Group” Music of the 1950s and 1960s