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The American Horror Film: An Introduction
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Cited by

  • 2014Carl Dreyer's Corpse27 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2007Para-Paracinema13 cited
  • 2010"Two Ways of Looking": The Critical Reception of 1940s Horror12 cited
  • 2007Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety11 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited
  • 2014The Cultural Politics of Horror Film Criticism7 cited
  • 2007Women’s Cinema as Counterphobic Cinema5 cited
  • 2015«All monsters are human»: the cultural imaginary and the creation of contemporary bestiaries in American Horror Story4 cited
  • 2015Black Masculinities and Postmodern Horror: Race, Gender, and Abjection4 cited
  • 2007Pure Quidditas or Geek Chic?2 cited

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