SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Theory of Craft: Function and Aesthetic Expression
0 references·16 citing·46 second hop
A Theory of Craft: Function and Aesthetic Expression (2007)A Theory of Craft: Function and Aesthetic…Artificial Aesthetics and Ethical Ambiguity: Exploring Business Ethics in the Context of AI-driven Creativity (2024)Artificial Aesthetics and Eth…What is ‘Neo-Craft’ Work, and Why it Matters (2023)What is ‘Neo-Craft’ Work, and…Practices and challenges of developing handicrafts as a core tourism product in Chencha and Konso, southern Ethiopia (2021)Practices and challenges of d…Craftspeople’s new identity: The impact of digital fabrication technologies on craft practices (2021)Craftspeople’s new identity: …Implementation of SMED in a cutting line (2020)Implementation of SMED in a c…Conceptualizing Sustainable Craft: Concept Analysis of Literature (2020)Conceptualizing Sustainable C…Craft as Leverage for Sustainable Design Transformation: A Theoretical Foundation (2019)Craft as Leverage for Sustain…Hybrid craft (2015)Hybrid craftFrom Gender-segregated Subjects to Multi-material Craft: Craft Student Teachers’Views on the Future of the Craft Subject (2015)From Gender-segregated Subjec…Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy (2014)Joy in Labour: The Politiciza…Craft As Activism (2013)Craft As ActivismShowing Making: On Visual Documentation and Creative Practice (2012)Showing Making: On Visual Doc…Hybrid Reassemblage: An Exploration of Craft, Digital Fabrication and Artifact Uniqueness (2012)Hybrid Reassemblage: An Explo…Hands-on intellect: integrating craft practice into design research (2012)Hands-on intellect: integrati…“Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design (2012)“Blurred Boundaries”? Rethink…‘Something to talk about’: notation and knowledge‐making among Central Slovak lace‐makers (2010)‘Something to talk about’: no…Abstracting craft: the practiced digital hand (1997)Handmade Nation: The Rise of DIY, Art, Craft, and Design (2008)The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (2008)Hybrid Practice in the Kalahari (2015)Resisting Alignment (2015)Learning from Hybrid Craft: Investigating and Reflecting on Innovating and Enlivening Traditional Craft through Literature Review (2024)The Social Life of Things (1986)Reassembling the Social (2005)Unpacking Craft Skills: What Can Images Reveal about the Embodied Experience of Craft? (2015)Making and taking information (2021)Stille Nacht: COVID and the Ghost of Christmas 2020 (2021)Art as Experience (1934) (2026)Hybrid basketry (2013)Urban Knitters on Interweaving Craft, Technologies and Urban Participation (2017)Knitting Interactive Spaces: Fabricating Data Physicalizations of Local Community Visitors with Circular Knitting Machines (2024)The Nature and Art of Workmanship (1969)The Marx-Engels Reader (1972)The contemporary geographies of craft‐based manufacturing (2017)The Organization of Craft Work (2018)When technology shapes community in the Cultural and Craft Industries: Understanding virtual entrepreneurship in online ecosystems (2018)After the End of Art: Contemporary Art and the Pale of History (1998)Making is connecting: the social meaning of creativity from DIY and knitting to YouTube and Web 2.0 (2011)The Tacit Dimension (1997)Making knowledge: explorations of the indissoluble relation between minds, bodies, and environment (2010)Thinking through Craft (2017)Role of Traditional Crafts in Sustainable Development and Building Community Resilience: Case Stories from India (2022)Moving toward sustainable development: Social, economic and environmental value as antecedents of purchase intention in the sustainable crafts sector (2023)Tacit Knowledge Sharing for Enhancing the Sustainability of Intangible Cultural Heritage (ICH) Crafts: A Perspective from Artisans and Academics under Craft–Design Collaboration (2023)Design history and the history of design (1989)Journal of Social Theory in Art Education, 1994. (1994)From the Philosophical Transactions of The Royal Society (2011)Traditional Crafts. A Literature Review Focused on Sustainable Development (2022)The Reflective Practitioner: How Professionals Think in Action (1985)Tactile augmentation: A multimethod for capturing experiential knowledge (2015)Articulating Challenges of Hybrid Crafting for the Case of Interactive Silversmith Practice (2017)Documentation as a practice-led research tool for reflection on experiential knowledge (2018)A Brief History of Neoliberalism (2005)Meeting the Universe Halfway (2007)Vibrant Matter (2010)Craft and strategic entrepreneurship: Exploring and exploiting materiality, authenticity, and tradition in craft‐based ventures (2024)Regenerating urban cultural policy: insights on the role of crafts and small-scale production in three European cities’ visions (2025)Tradition and Innovation: Ecologies of Sustainable Learning in Contemporary Craft Work (2025)A theory of justice original editionDetermining Validity in Qualitative Inquiry (2000)Using thematic analysis in psychology (2006)Revisiting ba : How generative AI transforms knowledge creation (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Hybrid Reassemblage: An Exploration of Craft, Digital Fabrication and Artifact Uniqueness137 cited
  • 2012Hands-on intellect: integrating craft practice into design research120 cited
  • 2014Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy67 cited
  • 2012“Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design58 cited
  • 2020Conceptualizing Sustainable Craft: Concept Analysis of Literature54 cited
  • 2012Showing Making: On Visual Documentation and Creative Practice48 cited
  • 2019Craft as Leverage for Sustainable Design Transformation: A Theoretical Foundation43 cited
  • 2023What is ‘Neo-Craft’ Work, and Why it Matters42 cited
  • 2024Artificial Aesthetics and Ethical Ambiguity: Exploring Business Ethics in the Context of AI-driven Creativity40 cited
  • 2015Hybrid craft37 cited
  • 2020Implementation of SMED in a cutting line37 cited
  • 2021Practices and challenges of developing handicrafts as a core tourism product in Chencha and Konso, southern Ethiopia33 cited
  • 2010‘Something to talk about’: notation and knowledge‐making among Central Slovak lace‐makers28 cited
  • 2015From Gender-segregated Subjects to Multi-material Craft: Craft Student Teachers’Views on the Future of the Craft Subject

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

28 cited
  • 2013Craft As Activism25 cited
  • 2021Craftspeople’s new identity: The impact of digital fabrication technologies on craft practices22 cited