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Cited by

• 2011Max Horkheimer and the Foundations of the Frankfurt School446 cited
• 2015Musical Witness and Holocaust Representation73 cited
• 2010The Emancipation of Dissonance: Schoenberg's Two Practices of Composition41 cited
• 2005Music "Pushed to the Edge of Existence" (Adorno, Listening, and the Question of Hope)29 cited
• 2019Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function25 cited
• 2014Adorno's Essay on Wagner: Rescuing an Inverted Panegyric22 cited
• 2011Conducting Movement: Xavier Le Roy and the Amplification of Le Sacre du Printemps22 cited
• 2009Methodologies and tools for audio digital archives20 cited
• 2018Notes on Adorno’s ‘Musical Material’ During the New Materialisms20 cited
• 2022From Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to “Cumulative Cultural Evolution?”20 cited
• 2012An approach to improvisation pedagogy in post-secondary jazz programmes based on negative dialectics15 cited
• 2011Rhythm and the Cold War Imaginary: Listening to John Adams’s Nixon in China9 cited
• 2012Selling art to the world in Chelsea9 cited
• 2012The Role of Critical Formalism in Music Education6 cited