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Globalisation and the Third World
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Globalisation and the Third World (2004)Globalisation and the Third WorldState power, postmodernist identities and conflict in contemporary Nigerian popular music (2019)State power, postmodernist id…Negotiating Migrant Identities: Young People in Bolivia and Argentina (2007)Negotiating Migrant Identitie…GENDER, PARADOXICAL SPACE, AND CRITICAL SPECTATORSHIP IN VIETNAMESE FILM: (2002)GENDER, PARADOXICAL SPACE, AN…Vilayeti Rhythms (2000)Vilayeti RhythmsA theory of migration (1966)Gender and Migration in Developing Countries (1994)Growing Up Global: Economic Restructuring and Children’s Everyday Lives (2004)Introduction: Childhood and migration — mobilities, homes and belongings (2010)‘We’re not going to suffer like this in the mud’: educational aspirations, social mobility and independent child migration among populations living in poverty (2013)Young People, Children, Politics and Space: A Decade of Youthful Political Geography Scholarship 2003–13 (2013)Writing Culture: The Poetics and Politics of Ethnography (1986)The black Atlantic: modernity and double consciousness (1994)The world is sound? Geography, musicology and British‐Asian soundscapes (2005)Migrancy, Culture, Identity (2008)Longings and belongings: Indian American youth identity, folk dance competitions, and the construction of ‘tradition’ (2011)Bhagat Singh's Corpse (2016)Language and Symbolic Power. (1992)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Hegemonic Masculinity (2005)Music and political identity salience in Nigeria’s 2023 presidential election (2024)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The consequences of modernity (1990)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)
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  • 2007Negotiating Migrant Identities: Young People in Bolivia and Argentina143 cited
  • 2000Vilayeti Rhythms61 cited
  • 2019State power, postmodernist identities and conflict in contemporary Nigerian popular music4 cited
  • 2002GENDER, PARADOXICAL SPACE, AND CRITICAL SPECTATORSHIP IN VIETNAMESE FILM:4 cited

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