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Cited by

• 2020Science and Religion36 cited
• 2013Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie32 cited
• 2020Wireless Imaginations26 cited
• 2024Body and Force in Music: Metaphoric Constructions in Music Psychology21 cited
• 2020‘False Relations’: Hermann von Helmholtz's Study of Music and the Delineation of Nineteenth-Century Physiology17 cited
• 2014Hermann von Helmholtz's Empirico-Transcendentalism Reconsidered: Construction and Constitution in Helmholtz's Psychology of the Object15 cited
• 2019An Enactive Approach to Learning Music Theory? Obstacles and Openings14 cited
• 2018Can Opera Listen? Canada’s (Sesqui) Centennial Opera, Louis Riel12 cited
• 2015A Third Note: Helmholtz, Palestrina, and the Early History of Musicology10 cited
• 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
• 2018Music’s Stubborn Enchantments (and Music Theory’s)7 cited
• 2020Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch6 cited
• 2016Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966)4 cited
• 2022Toward a “Global” History of Music Theory4 cited