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Early fifteenth-century music
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Early fifteenth-century music (1966)Early fifteenth-century musicGuillaume Du Fay (2019)Guillaume Du FayThe evolution of rhythmic notation (2002)The evolution of rhythmic not…Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)Different Strokes for Differe…Musica Ficta and Harmony in Machaut's Songs (1997)Musica Ficta and Harmony in M…The Origin and Early History of Proportion Signs (1988)The Origin and Early History …New light on Oswald von Wolkenstein: central European traditions and Burgundian polyphony (1987)New light on Oswald von Wolke…The compilation of Trent 871 and 922 (1982)The compilation of Trent 871 …A Fragmentary Manuscript of Early 15th-Century Music in Dijon (1974)A Fragmentary Manuscript of E…Techniques of Unification in Early Cyclic Masses and Mass Pairs (1966)Techniques of Unification in …The Reson Mass (1965)The Reson MassThe logic of scientific discovery (1959)The Logic of Scientific Discovery. (1959)The New Grove dictionary of music and musicians (2001)The mensura of φ in the works of Du Fay (2006)Manuscript Structure in the Dufay Era (1962)European politics and the distribution of music in the early fifteenth century (1981)Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts (1982)Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music (2010)Music, Silence, and the Senses in a Late Fifteenth-Century Book of Hours (2017)The Notation of Polyphonic Music, 900-1600 (1943)The Notation of Polyphonic Music, 900-1600 (1950)Die Musiktraktate des Johannes de Muris (1970)Intertextuality and Compositional Process in Two Cantilena Motets by Hugo de Lantins (1993)Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese (1966)Fragments, Palimpsests, and Marginalia (1988)Squaring the Triangle: Interrelations and Their Meanings in Some Early Fifteenth-Century Mass Pairs (1998)The New Grove Dictionary of Music and Musicians (1981)Die Musik in Geschichte und Gegenwart (1989)Questions of Authority in Some Songs by Binchois (1992)Manuel de diplomatique (1925)Music in the Middle Ages (1941)The motets of the manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, α.M. 5,24 (olim Lat. 568) (1965)Source Readings in Music History (1950)Source Readings in Music History (1952)Western Plainchant (1993)A Perfect Chord: Trinity in Music, Music in the Trinity (2013)Sacrorum Conciliorum Nova, Et Amplissima Collectio (1960)The Cambridge History of Western Music Theory (2002)Medieval Music and the Art of Memory (2005)Corpus scriptorum de musica (1957)Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino (1989)Models of Musical Analysis. Music before 1600 (1993)
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Cited by

  • 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music11 cited
  • 1966Techniques of Unification in Early Cyclic Masses and Mass Pairs11 cited
  • 2002The evolution of rhythmic notation8 cited
  • 1965The Reson Mass8 cited
  • 1982The compilation of Trent 871 and 9227 cited
  • 1988The Origin and Early History of Proportion Signs6 cited
  • 1987New light on Oswald von Wolkenstein: central European traditions and Burgundian polyphony6 cited
  • 1974A Fragmentary Manuscript of Early 15th-Century Music in Dijon6 cited
  • 2019Guillaume Du Fay5 cited
  • 1997Musica Ficta and Harmony in Machaut's Songs3 cited

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