Music and the skillful listener: American women compose the natural world

Unknown author

23 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Diverse Musicological Studies Musicology and Musical Analysis Ecocriticism and Environmental Literature

Abstract

Introduction 1. A Context for Composers: Within the Nature-Writing Tradition I. Nature as a Summer Home 2. Amy Marcy Cheney Beach (Mrs. H. H. A. Beach) 3. Marion Bauer 4. Louise Talma II. Nature all Around Us 5. Pauline Oliveros 6. Joan Tower 7. Ellen Taaffe Zwilich III. Beyond the EPA and Earth Day 8. Victoria Bond 9. Libby Larsen 10. Emily Doolittle Conclusions: The Repercussions of Listening Bibliography Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 23 citations exist upstream.

References

1973The Country and the City

Cited by

2020Field to Media: applied ecomusicology in the Anthropocene 2020From the horse’s mouth: musical ‘originality’ in freestyle dressage 2017“You Too Can Compose”2022Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media 2017Nature’s Voice in Crumb’sAn Idyll for the Misbegotten 2020A "Stubbornly Persistent Illusion"?:2024Introduction. Discordant Harmonies: Interspecies Relations in the United States 2014The Politics and Place of a “Legendary” Hip Hop Track in Detroit

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.