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The Embodied Icon: Liturgical Vestments and Sacramental Power in Byzantium
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Cited by

  • 2018Performative Reading in the Late ByzantineTheatron27 cited
  • 2014To picture and to perform: The image of the Eucharistic Liturgy at Markov Manastir (I)9 cited
  • 2015To picture and to perform: The image of the Eucharistic liturgy at Markov Manastir (II)7 cited
  • 2017Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204)7 cited
  • 2018Dressing for Succession in Norman Italy: The Mantle of King Roger II6 cited
  • 2018Ottoman textiles and Greek clerical vestments: prolegomena on a neglected aspect of ecclesiastical material culture6 cited
  • 2020Priestly Ornaments and the Priesthood of the Mother of God3 cited
  • 2016The Infl uence of the Imperial Topics on the Serbian Monumental Painting of the 14th Century by the Example of the Composition «The Heavenly Court» of the Assumption Church of the Treskavac Monastery3 cited
  • 2017Textiles and the Making of Sacred Space2 cited
  • 2018Wearing the Sacred: Images, Space, Identity in Liturgical Vestments (13th to 16th Centuries)1 cited
  • 2016Vestments of a Russian Bishop. A Cultural Study1 cited
  • 2018Wearing the Sacred: Images, Space, Identity in Liturgical Vestments (13th to 16th Centuries) = Vistiendo lo sagrado. Imágenes, espacio e identidad de las vestiduras litúrgicas (Siglos XIII al XVI)1 cited

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