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The Operatic State: Cultural Policy and the Opera House
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The Operatic State: Cultural Policy and the Opera House (2002)The Operatic State: Cultural Policy and t…Who runs the arts in England? A social network analysis of arts boards (2022)Who runs the arts in England?…Democratizing opera. Accessibility to opera in the digital age among Swedish-speaking Finns (2022)Democratizing opera. Accessib…A Tale of Two Houses: Opera Houses in Cairo and Cape Town (2021)A Tale of Two Houses: Opera H…Reaching the Operatic Stage: The Geographical and Social Origins of British and Irish Opera Singers, c.1850–c.1960 (2017)Reaching the Operatic Stage: …ARABIC THEATER IN EARLY KHEDIVIAL CULTURE, 1868–72: JAMES SANUA REVISITED (2014)ARABIC THEATER IN EARLY KHEDI…Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony–distinction approaches (2012)Who benefits from public fund…Opera as business? Fromimpresarito the publishing industry (2012)Opera as business? Fromimpres…Analysing musical culture in nineteenth-century Europe: towards a musical turn? (2010)Analysing musical culture in …THE TRADITION OF ALL THE DEAD GENERATIONS (2007)THE TRADITION OF ALL THE DEAD…Advance Australia—Fair or Foul? Observing Australian Arts Policies (2005)Advance Australia—Fair or Fou…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The New Grove dictionary of music and musicians (2001)Cultural spending in Ontario, Canada: trends in public and private funding (2009)Jeanne Lee’s Voice (2013)Why get involved? Finding reasons for municipal interventions in the Canadian music industry (2013)Musica in scena: Storia dello spettacolo musicale (1998)The Operatic State (2003)The Cambridge Companion to Verdi (2005)The Politics of Fun: Cultural Policy and Debate in Contemporary France (1997)Economics and Culture (2000)Economics of the Performing Arts (2019)Culture Squared: A Cross-Cultural Comparison of the Values Espoused by National Arts Councils and Cultural Agencies (2020)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The theory of the leisure class; an economic study of institutions (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Time Series Analysis: Forecasting and Control (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)Emerging modes of public cultural spending: Direct support through production delegation (2015)The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions (2015)Governance of cultural heritage: towards participatory approaches (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Culture and imperialism (1993)Culture and Imperialism (2017)Occupation and Pay in Great Britain 1906–79 (1980)The Music Profession in Britain Since the Eighteenth Century: A Social History. (1986)Popular Music in England, 1840-1914. A Social History (1989)Someone Else's Music (2025)The Matthew Effect in Science (1968)Directors: Myth and Reality (1971)What Do Interlocks Do? An Analysis, Critique, and Assessment of Research on Interlocking Directorates (1996)Cultural governance within and across cities and regions: Evidence from the English publicly funded arts sector (2022)The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (1985)World Music (2002)Understanding Cairo: the logic of a city out of control (2011)Liveness (2008)Remix (2008)Production, Consumption, Prosumption (2010)
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Cited by

  • 2012Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony–distinction approaches56 cited
  • 2007THE TRADITION OF ALL THE DEAD GENERATIONS28 cited
  • 2014ARABIC THEATER IN EARLY KHEDIVIAL CULTURE, 1868–72: JAMES SANUA REVISITED28 cited
  • 2017Reaching the Operatic Stage: The Geographical and Social Origins of British and Irish Opera Singers, c.1850–c.196015 cited
  • 2021A Tale of Two Houses: Opera Houses in Cairo and Cape Town14 cited
  • 2005Advance Australia—Fair or Foul? Observing Australian Arts Policies9 cited
  • 2022Who runs the arts in England? A social network analysis of arts boards8 cited
  • 2010Analysing musical culture in nineteenth-century Europe: towards a musical turn?6 cited
  • 2022Democratizing opera. Accessibility to opera in the digital age among Swedish-speaking Finns6 cited
  • 2012Opera as business? Fromimpresarito the publishing industry4 cited

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