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The complete works of Liudprand of Cremona
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Cited by

  • 2017Witch Trials65 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2019Flodoard of Rheims and the Writing of History in the Tenth Century21 cited
  • 2012Real Living Painting: Quasi-Objects and Dividuation in the Byzantine World14 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2015The Crown and the Veil: Titles, Spiritual Kinship, and Diplomacy in Tenth‐Century Bulgaro–Byzantine Relations5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2017The governance of Ottonian Germany in historiographical perspective3 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2018Byzantine Diplomacy3 cited
  • 2012The teaching of performance2 cited

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