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The motivation for this paper is the continuing publication of maps of European Upper Palaeolithic art sites that omit the site of Parpalló. It asks the question: Why don’t people see the importance of Parpalló? It seeks to show the important principles about the study of prehistoric art, particularly of the Pleistocene, that are illustrated by Parpalló.Parpalló is generally omitted from surveys of Palaeolithic art in Europe, but it should not be. Villaverde’s comprehensive analysis showed t...
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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