SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Blissed out: the raptures of rock
0 references·16 citing·53 second hop
Blissed out: the raptures of rock (1991)Blissed out: the raptures of rockArbiters of Taste: Poptimist Sampling in Experimental Club Music (2020)Arbiters of Taste: Poptimist …Perspectives on Males and Singing (2012)Perspectives on Males and Sin…Sigur Rós's Heima: An Icelandic Psychogeography (2009)Sigur Rós's Heima: An Iceland…“Everyone's Given Up and Just Wants to Go Dancing”: From Punk to Rave in the Thatcher Era (2006)“Everyone's Given Up and Just…New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi (2005)New shapes on the dance floor…The gendered carnival of pop (2001)The gendered carnival of popRace of angels: The critical reception of second‐generation Irish musicians (1998)Race of angels: The critical …The Beat Goes On: Trance, Dance and Tribalism in Rave Culture (1997)The Beat Goes On: Trance, Dan…The politics of passion: Flamenco, power, and the body (1995)The politics of passion: Flam…The future of rock: discourses that struggle to define a genre (1995)The future of rock: discourse…The flamenco body (1994)The flamenco bodyFunk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop (1994)Funk music as genre: Black ae…World Music and the Popular Music Industry (1993)World Music and the Popular M…Policing Bohemia, pinning up grunge: the music press and generic change in British pop and rock (1993)Policing Bohemia, pinning up …Prince: harmonic analysis of ‘Anna Stesia’ (1992)Prince: harmonic analysis of …Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution (1992)Mixing pop and politics: rock…How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Communities of practice learning, meaning, and identity (1999)Rebel Manhood (2011)Perspectives of European boys about their voice change and school choral singing: developing the possible selves of adolescent male singers (2014)Are the psychological benefits of choral singing unique to choirs? A comparison of six activity groups (2020)After the Great Divide (1986)Noise: The Political Economy of Music (1986)How Societies Remember (1989)La música como objeto geográfico. Estado de la cuestión y perspectivas de tratamiento (2015)Coros y Danzas (2023)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Contingency, Irony, and Solidarity (1989)The Emotional and Intellectual Aspects of Protest Music (2000)Language in Action: Funk Music as the Critical Voice of a Post–Civil Rights Movement Counterculture (2010)The Jazz Image (2010)58. Contingency, Irony and Solidarity (2015)Reproduction in Education, Society and Culture (1979)The Sociology of Rock (1979)‘*1/2’ a critique of rock criticism in North America (2001)“EVERYTHING LOUDER THAN EVERYTHING ELSE” (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Writing about Popular Music (2019)Interpretation Theory: Discourse and the Surplus of Meaning. (1978)Time and narrative (1986)Alternative music and mediation in late New Order Indonesia (2002)In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences (2008)What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock (2011)Hermeneutics and the Human Sciences (2016)England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and beyond (1993)Rave off : politics and deviance in contemporary youth culture (1993)Pagans and Satan and Goths, oh my: dark leisure as communicative agency and communal identity on the fringes of the modern Goth scene (2012)The “Ground Zero” of Goth: Bauhaus, “Bela Lugosi's Dead” and the Origins of Gothic Rock (2012)A Chronicle of Higher Education (2017)Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art (2020)Popular Culture in Early Modern Europe (1979)The man of reason: "male" and "female" in Western philosophy (1984)The Politics and Poetics of Transgression (1988)REVISITING GIRLS' STUDIES (2007)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Tracking Gendered Streams (2017)Popular Music and Communication. (1988)Rock Music (1990)Rock music: culture, aesthetics and sociology (1991)Did rock smash the wall? The role of rock in political transition (1994)Pop and the Nation-State: towards a theorisation (1999)The Ritual Process: Structure and Anti-Structure (1976)The Ideology of the Aesthetic (1988)The Condition of Postmodernity (1991)Going Bush and Finding One's 'Tribe': Raving, escape and the bush doof (2003)Flash Mob Dance and the Territorialisation of Urban Movement (2010)Not all about sex: neural and biobehavioral functions of human dance (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1992Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution80 cited
  • 1993Policing Bohemia, pinning up grunge: the music press and generic change in British pop and rock73 cited
  • 2006“Everyone's Given Up and Just Wants to Go Dancing”: From Punk to Rave in the Thatcher Era60 cited
  • 2001The gendered carnival of pop56 cited
  • 2012Perspectives on Males and Singing46 cited
  • 1995The future of rock: discourses that struggle to define a genre45 cited
  • 1997The Beat Goes On: Trance, Dance and Tribalism in Rave Culture37 cited
  • 1994Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop24 cited
  • 1995The politics of passion: Flamenco, power, and the body19 cited
  • 2020Arbiters of Taste: Poptimist Sampling in Experimental Club Music17 cited
  • 1992Prince: harmonic analysis of ‘Anna Stesia’16 cited
  • 2009Sigur Rós's Heima: An Icelandic Psychogeography11 cited
  • 2005New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi9 cited
  • 1998Race of angels: The critical reception of second‐generation Irish musicians8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 1993World Music and the Popular Music Industry8 cited
  • 1994The flamenco body6 cited