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Cited by

• 2001International Trade in Film and the Self-Sufficiency Ratio90 cited
• 2000The Economics of American Theatrical Movie Exports: An Empirical Analysis86 cited
• 2008Hollywood movies in East Asia: examining cultural discount and performance predictability at the box office82 cited
• 2009Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office71 cited
• 2014Economics of motion pictures: the state of the art69 cited
• 2008Economic and Cultural Influences on the Theatrical Consumption of Foreign Films in Singapore69 cited
• 2010Explaining Global Box-Office Tastes in Hollywood Films: Homogenization of National Audiences’ Movie Selections66 cited
• 1998Determinants of U.S. television fiction imports in Western Europe59 cited
• 2021Are global over-the-top platforms the destroyers of ecosystems or the catalysts of innovation?33 cited
• 2009Homogenization and Specialization Effects of International Trade: Are Cultural Goods Exceptional?18 cited
• 2004Changes and Consistency: China's Media Market After WTO Entry10 cited
• 1993Trends in global communication policy‐making: Lessons from the Asian case∗9 cited
• 2012Remembering Video9 cited
• 2008The Case for Audience Isolation: Language and Culture as Predictors of Advertiser Investment