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Anti-theatricality in twentieth-century opera
16 references·0 citing·25 second hop
Anti-theatricality in twentieth-century opera (2001)Anti-theatricality in twentieth-century o…Untwisting the Serpent: Modernism in Music, Literature, and Other Arts (2002)Untwisting the Serpent: Moder…Untwisting the Serpent: Modernism in Music, Literature and Other Arts (2002)Untwisting the Serpent: Moder…Maurice Maeterlinck and the Making of Modern Theatre (2001)Maurice Maeterlinck and the M…Maurice Maeterlinck and the Making of Modern Theatre (2000)Maurice Maeterlinck and the M…Opera in history: from Monteverdi to Cage (1998)Opera in history: from Montev…The Messiaen Companion (1995)The Messiaen CompanionMusic and Color: Conversations with Claude Samuel (1995)Music and Color: Conversation…Music and Color - Conversations with Claude Samuel (1995)Music and Color - Conversatio…ARNOLD SCHOENBERG'S DER BIBLISCHE WEG AND MOSES UND ARON: ON THE TRANSACTIONS OF AESTHETICS AND POLITICS (1989)ARNOLD SCHOENBERG'S DER BIBLI…Opera: The Extravagant Art (1986)Opera: The Extravagant ArtThe Antitheatrical Prejudice (1982)The Antitheatrical PrejudiceIgor Stravinsky, The Rake's progress (1982)Igor Stravinsky, The Rake's p…Debussy and the theatre (1982)Debussy and the theatreSCHOENBERG'S SPEECH-SONG (1981)SCHOENBERG'S SPEECH-SONGThe Antitheatrical Prejudice (1966)The Antitheatrical PrejudiceMemories and commentaries (1960)Memories and commentariesFootnotes to Stravinsky Studies: ‘Le Sacre du printemps‘ (1979)Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology (2011)Laus deo? On composers' expression of their spirituality (2005)Situating opera: period, genre, reception (2011)The Cambridge Companion to Rhythm (2020)World Music at the "End of History" (2002)The Cambridge Companion to Opera Studies (2012)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)The archaeological study of the Bible (2015)The New Cambridge History of the Bible (2015)Romantic irony (2000)Corporeidad y experiencia musical (2005)Interdisciplinary Opera Studies (2006)Transposing Music: An Intermedial Perspective on German Modernist Poetry (2013)Wireless Imaginations (2020)Rhythmical Subjects (2023)Stage Fright, Animals, and Other Theatrical Problems (2006)The competence of theatre audiences in fifth- and fourth-century Athens (2006)RETHINKING THE SOCIAL IMPACTS OF THE ARTS (2007)Political Representation and the Chorus in Nineteenth-Century Opera (1992)Magnificence in motion: Stage musicians in Lully's ballets and operas (1994)Opera in the Novel from Balzac to Proust (2011)Moving Bodies, Acting Selves (1999)Performance Remains (2001)
this work references cited by second hop

References

  • 1982The Antitheatrical Prejudice339 cited
  • 1966The Antitheatrical Prejudice331 cited
  • 2002Untwisting the Serpent: Modernism in Music, Literature and Other Arts185 cited
  • 1995Music and Color - Conversations with Claude Samuel125 cited
  • 1960Memories and commentaries117 cited
  • 2002Untwisting the Serpent: Modernism in Music, Literature, and Other Arts84 cited
  • 1986Opera: The Extravagant Art58 cited
  • 1998Opera in history: from Monteverdi to Cage57 cited
  • 2000Maurice Maeterlinck and the Making of Modern Theatre51 cited
  • 1989ARNOLD SCHOENBERG'S DER BIBLISCHE WEG AND MOSES UND ARON: ON THE TRANSACTIONS OF AESTHETICS AND POLITICS46 cited
  • 1982Igor Stravinsky, The Rake's progress42 cited
  • 1995Music and Color: Conversations with Claude Samuel36 cited
  • 2001Maurice Maeterlinck and the Making of Modern Theatre34 cited
  • 1982Debussy and the theatre27 cited
  • 1995The Messiaen Companion22 cited
  • 1981SCHOENBERG'S SPEECH-SONG9 cited

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