References

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Cited by

• 2015Musical Witness and Holocaust Representation73 cited
• 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
• 2009Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline39 cited
• 2005Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain38 cited
• 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited
• 2020Participatory performance in the secondary music classroom and the paradox of belonging25 cited
• 2011Situating opera: period, genre, reception21 cited
• 2017On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning19 cited
• 2013Minimal Understandings: The Berlin Decade, The Minimal Continuum, and Debates on the Legacy of German Techno18 cited
• 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
• 2017Transcription, Recording, and Authority in ‘Classic’ Minimalism11 cited
• 2022The Names of Minimalism7 cited
• 2014Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich7 cited
• 2007Soundpainting as a system for the collaborative creation of music in performance