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The Cambridge Companion to Performance Studies
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The Cambridge Companion to Performance Studies (2008)The Cambridge Companion to Performance St…The Cambridge Companion to American Theatre since 1945 (2021)The Cambridge Companion to Am…Scenic Transitions: From Drama to Experimental Practices in Irish Theatre (2018)Scenic Transitions: From Dram…The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda (2017)The making of a ‘superstar’: …Practice-as-Research and Original Practices (2017)Practice-as-Research and Orig…The Cambridge Introduction to Performance Theory (2016)The Cambridge Introduction to…Performing, Translating, Fashioning: Spectatorship in the Surveillant World (2016)Performing, Translating, Fash…Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance (2016)Lucille Meets GuitarBot: Inst…No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds (2014)No More Masterpieces: Tangibl…Ophelia's Intertheatricality, or, How Performance Is History (2013)Ophelia's Intertheatricality,…Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research (2013)Close/Clown Encounters with H…The Felt Truth of Mimetic Experience: Motions of the Soul and the Kinetics of Passion in the Eighteenth-Century Theatre (2012)The Felt Truth of Mimetic Exp…So You Think You Can Dance Does Dance Studies (2012)So You Think You Can Dance Do…Rehearsal: The Pleasures of the Flesh (2012)Rehearsal: The Pleasures of t…“MY FEET SEE BETTER THAN MY EYES”: SPATIAL MASTERY AND THE GAME OF MASCULINITY IN ARDEN OF FAVERSHAM 'S AMPHITHEATRE (2012)“MY FEET SEE BETTER THAN MY E…The experience of watching dance: phenomenological–neuroscience duets (2011)The experience of watching da…Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance (2010)Kinesthesia, Empathy, and Rel…The Presentation of Self in Everyday Life. (1956)Managing What Consumers Learn from Experience (1989)Embodying Dynamical Systems in Music Performance (2023)The Presentation of Self in Everyday Life (2023)Embodied Expression in Popular Music (2024)State and Diplomacy in Early Modern Japan (1984)Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)World Heritage and Cultural Economics (2006)Phenomenology of Perception (1982)Interpreting Qualitative Data Methods for Analysing Talk, Text and Interaction (1997)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)Motor Simulation without Motor Expertise: Enhanced Corticospinal Excitability in Visually Experienced Dance Spectators (2012)Distinction: A Social Critique of the Judgement of Taste* (2018)The Queen of America Goes to Washington City (1997)Parables for the Virtual (2002)Parables for the virtual: movement, affect, sensation (2002)Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance (2015)The complete works of Aristotle (1954)The Philosophical Writings of Descartes (1985)Philosophy in the flesh (1999)Enter The Body: Women and Representation on Shakespeare's Stage (2001)Rehearsal from Shakespeare to Sheridan (2007)Cognition in the Globe : attention and memory in Shakespeare's theatre (2011)Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance (2015)Unsilencing Elizabeth Cary (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Does copyright understand intangible heritage? The case of flamenco in Spain (2023)Gender Trouble: Feminism and the Subversion of Identity (1991)5. The Practice of Everyday Life (2000)Journal des anthropologues (2016)De la performance theory aux performance studies (2017)Christianity and the Gendering of Personal Names among the Bette in Southeastern Nigeria (2022)Publics and Counterpublics (2002)Publics and counterpublics (2003)The criminal trial as a live event: Exploring how and why live blogs change the professional practices of judges, defence lawyers and prosecutors (2021)From The Emancipated Spectator (2025)How To Do Things With Words (1975)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria (1999)Dance performances in post-genocide Rwanda: remaking identity, reconnecting present and past (2017)
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  • 2010Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance202 cited
  • 2011The experience of watching dance: phenomenological–neuroscience duets80 cited
  • 2016The Cambridge Introduction to Performance Theory48 cited
  • 2012Rehearsal: The Pleasures of the Flesh32 cited
  • 2014No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds30 cited
  • 2012So You Think You Can Dance Does Dance Studies26 cited
  • 2016Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance24 cited
  • 2017The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda24 cited
  • 2016Performing, Translating, Fashioning: Spectatorship in the Surveillant World22 cited
  • 2012The Felt Truth of Mimetic Experience: Motions of the Soul and the Kinetics of Passion in the Eighteenth-Century Theatre20 cited
  • 2013Ophelia's Intertheatricality, or, How Performance Is History20 cited
  • 2018Scenic Transitions: From Drama to Experimental Practices in Irish Theatre19 cited
  • 2017Practice-as-Research and Original Practices19 cited
  • 2021The Cambridge Companion to American Theatre since 1945

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19 cited
  • 2012“MY FEET SEE BETTER THAN MY EYES”: SPATIAL MASTERY AND THE GAME OF MASCULINITY IN ARDEN OF FAVERSHAM 'S AMPHITHEATRE16 cited
  • 2013Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research12 cited