Cantaoras: Music, Gender and Identity in Flamenco Song

Loren Chuse

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Musicology and Musical Analysis Music History and Culture Spanish Culture and Identity

Abstract

List of Illustrations Acknowledgments Chapter One: An Andalusian Journey Chapter Two: Traditional and Innovative Musical Practice in Flamenco Chapter Three: Nineteenth- and Early Twentieth-Century Singers Chapter Four: Social and Political Conditions for Women and Their Impact on Cantaoras in Twentieth-Century Spain Chapter Five: The Cantaora Today Chapter Six: La Herencia: Traditions of Flamenco in Lebrija and Granada Chapter Seven: Women and the Guitarra Flamenca Chapter Eight: The Flamenco Copla: Themes, Archetypes, Stereotypes Chapter Nine: The Social Construction of Flamenco Identity Chapter Ten: Identity, Aesthetics, and Emotion Glossary References Index

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2022Heritage Dynamics: Understanding and adapting to change in diverse heritage contexts 2023Coros y Danzas 2009SINGING BENEATH THE ALHAMBRA: THE NORTH AFRICAN AND ARABIC PAST AND PRESENT IN CONTEMPORARY ANDALUSIAN MUSIC 2006Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medellin, Colombia, 1930-1953

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