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Cited by

• 2022Ecocinema Theory and Practice 2276 cited
• 2014The Reparative Politics of Central America Solidarity Movement Culture38 cited
• 2014Dictating a Zafa: The Power of Narrative Form in Junot Diaz's The Brief Wondrous Life of Oscar Wao22 cited
• 2013The Central American transnational imaginary: Defining the transnational and gendered contours of Central American immigrant experience15 cited
• 2011Re/membering the Nation: Gaps and Reckoning within Biographical Accounts of Salvadoran Émigrés15 cited
• 2017Cultural memory and making by US Central Americans14 cited
• 2021Writing Refugee Crisis in the Age of Amazon:Lost Children Archive's Reenactment Play10 cited
• 2012EpiCentro: The Emergence of a New Central American-American Literature7 cited
• 2018Literary-Legal Representations: Statelessness and the Demands of Justice in Héctor Tobar's The Tattooed Soldier6 cited
• 2016Héctor Tobar’s The Tattooed Soldier and the Latino/a trauma narrative6 cited
• 2023Critical relationalities: Centering Indigenous land, presence, and sovereignty in immigrant/migrant rights discourses5 cited
• 2014Articulating and Contesting Cultural Hierarchies: Guatemalan, Mexican, and Native American Music at the Panama-Pacific International Exposition (1915)4 cited