Film Genre: Hollywood and Beyond

Barry Langford

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Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

1. Who needs genres? 2. Before Genre: Melodrama Part One: Classical Paradigms 3. The Western: Genre and History 4. The Musical: Genre and Form 5. The War/Combat Film: Genre and Nation 6. The Gangster Film: Genre and Society Part Two: Transitional Fantasies 7. The Horror Film 8. The Science-Fiction Film Part Three: Post-Classical Genres 9. Film Noir 10. The Action Blockbuster 11. Genre: Breaking the Frame (i) Documentary (ii) Holocaust Film (iii) Pornography 12. Conclusion: Transgenre?.

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2012Prototypical Characteristics of Blockbuster Movie Dialogue: A Corpus Stylistic Analysis 2013A view to a brand: introducing the film brandscape 2020Genre- und Autorentheorie 2020Formen und Funktionen von Genrebenennungen 2009All Stripped Down: The Spectacle of “Torture Porn”2020Genrediskurs 2018Formen und Funktionen von Genrebenennungen 2011Hollywood and the ‘War on Terror’: Genre-Geopolitics and ‘Jacksonianism’ in The Kingdom

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