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Museum Politics: Power Plays At The Exhibition
0 references·16 citing·57 second hopsampled
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  • 2006Borderland spaces of identification and dis/location: Multiscalar narratives and enactments of Seto identity and place in the Estonian-Russian borderlands82 cited
  • 2010Contested Cultural Heritage: A Selective Historiography72 cited
  • 2011Marketing Museums and Exhibitions: What Drives the Interest of Young People50 cited
  • 2010International Cultural Policies and Power45 cited
  • 2015Museum Theory: An Expanded Field41 cited
  • 2006The New Museum39 cited
  • 2007Representing the Past and Reflecting the Present: Museums, Memorials, and the Secondary History Classroom38 cited
  • 2015Cultural Diplomacy 2.0: Challenges and Opportunities in Museum International Practices37 cited
  • 2006Exhibition, Difference, and the Logic of Culture36 cited
  • 2019Promoting majority culture and excluding external ethnic influences: China’s strategy for the UNESCO ‘intangible’ cultural heritage list31 cited
  • 2010The Educational Promise of Public History Museum Exhibits28 cited
  • 2013‘Engage the World’: examining conflicts of engagement in public museums26 cited
  • 2006Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation23 cited
  • 2007Benevolent Patriotism: Art, Dissent and The American Effect

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23 cited
  • 2014Disrupting air power: Performativity and the unsettling of geopolitical frames through artworks21 cited
  • 2011The Meaning of Animal Portraiture in a Museum Setting: Implications for Conservation20 cited