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Geometrie der Töne : Elemente der mathematischen musiktheorie
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Geometrie der Töne : Elemente der mathematischen musiktheorie (1990)Geometrie der Töne : Elemente der mathema…Morphisms of generalized interval systems and PR -groups (2013)Morphisms of generalized inte…Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic (2011)Invariance and Variance of Mo…Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a "Mathemusical" Problem (2011)Constructing and Formalizing …Towards a Semantology of Music (2007)Towards a Semantology of MusicThe Origin and Well-Formedness of Tonal Pitch Structures (2006)The Origin and Well-Formednes…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Grove Music Online (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems (2013)Genetic Epistemology (1970)Conceptualizing music: cognitive structure, theory, and analysis (2003)The topos of music: geometric logic of concepts, theory, and performance (2003)Generalized Musical Intervals and Transformations (1988)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Generalized Voice-Leading Spaces (2008)Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality (2013)From K-Nets to PK-Nets: A Categorical Approach (2016)Shall We (Math and) Dance? (2019)Die Fragmente der Vorsokratiker. (1952)Fuzzy sets (1965)Fuzzy sets (1996)The Technique of My Musical Language (1957)Re: Intervallic Relations between Two Collections of Notes (1959)Mathematics and group theory in music (2014)Quasiperiodic music (2020)
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  • 2013Morphisms of generalized interval systems and PR -groups17 cited
  • 2011Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a "Mathemusical" Problem9 cited
  • 2006The Origin and Well-Formedness of Tonal Pitch Structures9 cited
  • 2007Towards a Semantology of Music5 cited
  • 2011Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic3 cited

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