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The Image and Its Public in the Middle Ages: Form and Function of Early Paintings of the Passion
0 references·16 citing·44 second hop
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  • 1994Manipulating the Sacred: Image and Plague in Renaissance Italy60 cited
  • 2016The Bronze Object in the Middle Ages55 cited
  • 1997Regimes of the Visual in Premodern England: Gaze, Body, and Chaucer's Clerk's Tale51 cited
  • 2017Blake, Young, and the Poetics of the Composite Page46 cited
  • 2004Altarpieces, Liturgy, and Devotion38 cited
  • 1990Icons and Identity: Religious Orthodoxy and Social Practice in Rural Crete32 cited
  • 2017The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance16 cited
  • 2009Observant reform in religious orders13 cited
  • 2014To picture and to perform: The image of the Eucharistic Liturgy at Markov Manastir (I)9 cited
  • 2009Heaven, hell and purgatory: 1100–15009 cited
  • 1998Bede’s Blush8 cited
  • 2007Venerating the veronica: varieties of passion piety in the later middle ages8 cited
  • 2015To picture and to perform: The image of the Eucharistic liturgy at Markov Manastir (II)7 cited
  • 2009Clerical purity and the re-ordered world7 cited
  • 2009Monastic and religious orders, c. 1100–c. 1350

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6 cited
  • 2009Empowerment through reading, writing and example: theDevotio moderna6 cited