SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Rock Canon: Canonical Values in the Reception of Rock Albums
0 references·16 citing·46 second hop
The Rock Canon: Canonical Values in the Reception of Rock Albums (2008)The Rock Canon: Canonical Values in the R…Posthumous consecration in rock’s legitimating discourse (2020)Posthumous consecration in ro…Writing about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Youth and Permissive Social Change in British Music Papers, 1967–1983 (2018)Youth and Permissive Social C…Popular music education (2017)Popular music education“This one Grandma knew, too, exactly this one!” Processes of Canonization in Children’s Music (2017)“This one Grandma knew, too, …¿Nuevos “clásicos básicos” en educación musical? Audición, canonización y patrimonialización de las músicas populares urbanas en (con)textos didácticos específicos (2017)¿Nuevos “clásicos básicos” en…‘Oh You Pretty Thing!’: How David Bowie ‘Unlocked Everybody’s Inner Queen’ in spite of the music press (2016)‘Oh You Pretty Thing!’: How D…Play It Again: Rock Music Reissues and the Production of the Past for the Present (2015)Play It Again: Rock Music Rei…A ‘fourth moment’ for music education? A response to Chris Philpott's sociological critique of music curriculum change (2015)A ‘fourth moment’ for music e…Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’ (2013)Locating the canon in Tamwort…History without royalty? Queen and the strata of the popular music canon (2013)History without royalty? Quee…Talkin bout my generation: popular music and the culture of heritage (2012)Talkin bout my generation: po…Towards a Popular Music Criticism of Replenishment (2011)Towards a Popular Music Criti…Re viewing listening: ‘Clip culture’ and cross-modal learning in the music classroom (2010)Re viewing listening: ‘Clip c…Unheard melodies: narrative film music (1988)Between Process and Product (2001)Hearing the Movies: Music and Sound in Film History (2009)Getting Behind the Scenes of Fleetwood Mac’s Rumours (2011)Playing by “the connected ear”: An empirical study of adolescents learning to play a pop song using Internet-accessed resources (2015)Instrument-based music theory on YouTube: Entries and barriers to lifelong learning (2021)Understanding Popular Culture (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)‘Total trash’. Recorded music and the logic of waste (2020)Keywords: A Vocabulary of Culture and Society (1977)Between Memory and History: Les Lieux de Mémoire (1989)Uses of Heritage (2006)Rock and soul: humanizing heritage, memorializing music and producing places (2014)Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories (2015)Popular Music and Materiality: Memorabilia and Memory Traces (2015)Thought and language (1962)Experience and Education (1986)Pedagogy, symbolic control, and identity : theory, research, critique (2000)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Creating Country Music (1997)Framing the field of popular music history and heritage studies (2018)Leveraging popular music heritage as sustainable cultural infrastructure in small cities (2022)Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study) (2023)Distinction: A Social Critique of the Judgement of Taste. (1985)Questions of Cultural Identity (1997)Authenticity, Empathy, and the Creative Imagination (2021)Empowering the Portfolio Musician: Innovative Chamber Music Pedagogy for the 21st-Century Artist (2022)Transactional Culture of the Portfolio Career Chamber Musician: A Case Study (2022)Gender Trouble: Feminism and the Subversion of Identity (1991)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2006)Ethnography: Principles in Practice (1985)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)Affect and Emotion: A New Social Science Understanding (2012)Decades of Recorded Music for Children: Norwegian Children’s Phonograms from World War II to the Present (2017)Re-thinking Systems of Meaning-Making: A Possible Theoretical Framework for Exploring Children’s Engagement in Music and the Subject Positions of ‘Rock-Boys’ and ‘Pop-Girls’ (2019)Egen stemme (2020)Music, Gender, Education (1997)Music, informal learning and the school: a new classroom pedagogy (2009)Music: A Very Short Introduction (2021)Escuchando al estudiantado a través de sus preferencias musicales: Tertulias dialógicas, una oportunidad para una educación musical crítica (2023)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Talkin bout my generation: popular music and the culture of heritage54 cited
  • 2019Writing about Popular Music53 cited
  • 2013History without royalty? Queen and the strata of the popular music canon24 cited
  • 2013Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’18 cited
  • 2016‘Oh You Pretty Thing!’: How David Bowie ‘Unlocked Everybody’s Inner Queen’ in spite of the music press16 cited
  • 2010Re viewing listening: ‘Clip culture’ and cross-modal learning in the music classroom15 cited
  • 2017¿Nuevos “clásicos básicos” en educación musical? Audición, canonización y patrimonialización de las músicas populares urbanas en (con)textos didácticos específicos12 cited
  • 2015Play It Again: Rock Music Reissues and the Production of the Past for the Present11 cited
  • 2017“This one Grandma knew, too, exactly this one!” Processes of Canonization in Children’s Music8 cited
  • 2015A ‘fourth moment’ for music education? A response to Chris Philpott's sociological critique of music curriculum change6 cited
  • 2011Towards a Popular Music Criticism of Replenishment5 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2018Youth and Permissive Social Change in British Music Papers, 1967–19835 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2017Popular music education4 cited
  • 2020Posthumous consecration in rock’s legitimating discourse4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited